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Sex and vampires

 

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Of all the monsters of fiction, the only one primaly associated with sex is the vampire

Nonetheless, the vampire of folklore was not a sexually attractive figure; he was a dead man who fed on blood, a monster about as attractive as a zombie. Bram Stoker changed all that with his novel, Dracula.

Stoker used the vampire as a metaphor for the Victorian view of sex as innately dangerous. In Dracula, sex with the Count transformed women into seductive sirens and horrific baby killers – the opposite of the Victorian ideal of chaste and nurturing womanhood. Originally, only female vampires were especially beautiful. Lamias and other such spirit-like vampires were always ugly in their true form, but had the ability to shift their appearance to that of a beautiful maiden, in order to lure men to them.

sex vampire

 

With the coming of the Victorian age, both the male and female vampire became beautiful and both exhibited a sexual appetite, though both vampire and vampiress retained the beauty as only a facade. The penetration of skin by sharp canine teeth easily evokes both violence and eroticism. In anger or distress the vampire still revealed its ugly, more corpse-like side.

In the modern psyche, women have unconsciously adopted vampires as an archetype for the dangerous male. When a woman has sex with a mortal man, she risks pregnancy and social shame. When she has sex with a vampire, she risks actual death. In both cases, women take the chance in trusting men who may not be trustworthy. In the vampire, so many male attributes are exaggerated, from physical strength to sexuality.
Today our vampires still retain those traits, played up even more. But still the vampire can show that evil, ugly side. The vampire, while always a nuisance and a evil to society, has grown even more callous in his vanity, perhaps to show the evil associated with pride and absolute power.

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